Rane MP2014 Rotary Mixer

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De Rane MP2014 is een rotary mixer van waanzinnig hoge kwaliteit, ben je opzoek naar een mixer die precisie mixen naar een nieuw level tilt dan is het de MP2014.
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Productinformatie Rane MP2014 Rotary Mixer

Succesvolle kunstenaars eisen zuiverheid, zuiverheid van het geluid is het allerbelangrijkste, maar ook de zuiverheid van stijl, controle, beweging en kunst. Het antwoord van Rane's aan deze vraag is de MP 2014 tweekanaals rotary mixer met een ongerepte signaalpad dat alles wat nodig is met niets anders toegevoegd biedt. Het is een nieuw muziekinstrument voor de veeleisende perfectionistische DJ die slechts twee kanalen hoeft maar het uiterste in technologie, eenvoud, betrouwbaarheid en draagbaarheid vergt. De MP2014 is gebouwd voor DJ's die houden van klassieke draaiende faders en weigeren om compromissen te sluiten. Verschillende DJ stijlen vereisen verschillende instrumenten. De MP2014 is uniek op maat gemaakt voor de artiesten die de vloeibaarheid en vloeiende overgangen door zijdezachte draaiknoppen willen. Net als zijn vier-kanaals big brother. Rane geherdefinieerd de rotary DJ mixer door het overbruggen van de kloof tussen klassieke rotary mixers en moderne DJ gereedschappen. De MP2014 is het perfecte huwelijk van een hoge kwaliteit draaiknop oppervlak, met state-of-the-art digitale signaalverwerking en dual 16-kanaals USB geluidskaarten. Een essentieel assortiment van analoge en digitale I / O ondersteunt het mengen van vinyl, cd's en USB-streaming audio in elke combinatie.
Sound Quality A world-class leader in performance, this mixer is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs that appreciate the uncompressed sound of WAV and FLAC files. Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro™ delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKM’s proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.001%. Studio Quality Preamps The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning roll-off at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation. All analog source input stages have gold RCA connectors along with buffered circuitry that provides EMI, RFI, and transient overvoltage protection. All analog outputs have gold connectors along with line-driving circuitry with EMI, RFI, and ESD protection as well as on/off transient noise muting transistors. The internal power supply accommodates line voltages from 100 to 240 VAC and either 60 Hz or 50Hz and is fitted with a detachable universal IEC-320-C13 power cord. This combined with international agency approvals allows the MP2014 worldwide usage. Sweep Filters Each Input channel and the Session Input features a unique and exclusive three-position toggle selector switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable. In the LP position, the Filter knob sweeps the low-pass corner frequency from 20 Hz to 20 kHz. The 12:00 middle position is 635 Hz. In the HP position, the Filter knob sweeps the high-pass corner frequency from 20 Hz to 20 kHz. The 12:00 middle position is 635 Hz. In the L-H position, the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz. The single Resonance (Q) knob controls the shape of the filters. The range is from flat (Q=0.707) to max peaking (Q=12). These filters are high-resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate. Isolator EQ Section The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate. Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz. These give you amazing control of the powerful lows, mountainous mids, and silky-sweet highs in your main mix. Tone Controls The input channels have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports. Like the Sweep Filters, the Tone Control filters are extremely accurate, high-resolution, fast, and artifact free, with all filter coefficients accurately calculated for the selected sample rate. Rane Rotary Mixer Comparison The two-channel MP2014 uses the same platform as Rane’s MP2015, which is the new worldwide standard for four-channel rotary mixers. Both are no-compromise music-mixing machines. With a world standard to work with, the creation of the MP2014 was straightforward: remove two input channels and the Submix channel; voilà, you have a MP2014—okay, not quite that simple, but in the critical pristine signal path, it is. MP2014 Features 2-deck mixing, with additional USB aux / session input. 2 aux line inputs, with 1 on each channel. 3 stereo playback and 5 stereo record channels on each USB port. Mic input has FX loop assign switch. MP2015 Features 4-deck mixing, with a 5th deck / additional USB aux / session input in the Submix channel. Submix allows grouping any number of inputs for easy multi-source mixing from one channel. S/PDIF inputs on each of the 4 deck channels. 1 aux line input, assignable to any of the 4 channels. 5 stereo playback and 7 stereo record channels on each USB port. Mic input has switchable phantom power. Both are designed for high-end, hi-res audio systems— whether club or studio, personal or downtown. There are no compromises in the design. They have the best sound, the best features, the best feel, and the best reliability, durability and portability, supported by the best customer service on the planet.

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66% of 100

Rating: 3.3 / 5 op basis van 50 beoordelingen.

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